The great statue of Artemis of Ephesus in the Ephesus Archaeological Museum
In Selcuk town

Ephesus Archaeological Museum

Everything portable that was ever dug out of Ephesus is here — including the two statues of Artemis that the silversmiths of Acts 19 made their living from.

There is a question that occurs to almost everyone walking through Ephesus: where did everything go? The statues that filled the niches, the friezes from the temples, the jewelry, the coins, the household gods — the ruins are magnificent and almost entirely empty. The answer is a modest building in the middle of Selcuk, and it is one of the finest small archaeological museums in Turkey.

The two Artemis statues

The museum's treasures, and the reason most visitors come, are the two remarkable cult statues of Artemis of Ephesus — the "Great Artemis" and the "Beautiful Artemis" — recovered from the Prytaneion where they had been carefully buried, probably by Christians who could not quite bring themselves to destroy them. They are covered from chest to waist in rows of oval objects whose meaning scholars have argued over for a century and a half: eggs, bulls' testicles, gourds, amber drops. Whatever they are, these are the images that Demetrius's guild reproduced in silver, and that a whole city chanted for in the theater (Acts 19:28). Standing in front of them, the riot suddenly has a face.

The cult statue of Artemis of Ephesus with rows of oval objects on her chest
Artemis of Ephesus — the goddess whose image the silversmiths of Acts 19 sold in miniature.

What else is inside

The collection is arranged roughly by findspot, which makes it easy to connect the objects to places you have just walked. The Terrace House rooms hold frescoes, mosaics and the small domestic objects of the households in which the earliest Christians met — cooking pots, lamps, a bronze statuette of Priapus that reliably surprises visitors. Elsewhere: finds from the Temple of Artemis including ivory and gold from the archaic period; the head and forearm of the colossal statue of the emperor Domitian; the marble frieze from the Temple of Hadrian; and material from the gladiator cemetery whose skeletons told archaeologists what these men ate and how they died.

Bronze statuette of a small figure riding a dolphin, displayed in a case at the Ephesus Archaeological Museum
A bronze Eros riding a dolphin — one of the small masterpieces that make this a museum of objects rather than of walls.

Why it matters to a biblical visit

The New Testament's Ephesus is a city of objects as much as buildings — silver shrines, magic books, images "made with hands" (Acts 19:26). The museum is where those objects survive. For pilgrims it does something the ruins cannot: it puts the actual material of the confrontation in front of you, the goddess and her economy on one side, and the plain lamps and dishes of the household churches on the other.

Visiting

The museum sits in the center of Selcuk, a five-minute walk from the Basilica of Saint John and a short drive from the ruins, and needs about an hour. It has its own ticket, is air-conditioned, and is therefore the single best thing to do in the Ephesus valley at two o'clock on an August afternoon. We add it to full-day and tailor-made itineraries on request; it is also the easiest independent add-on for visitors staying in Selcuk.

Semicircular ancient marble sundial carved with Greek letters and hour lines on a stone plinth
A marble sundial in the museum's open-air garden, its hour lines and Greek letters still crisp — the timekeeping of the city Paul lived in.

Sources & further reading

See Ephesus Archaeological Museum with someone who grew up here

Our licensed local guides bring the stones back to life. Private tours, your pace, no crowds.

TÜRSAB license No. 15746No prepayment to inquireFree cancellationSkip-the-line entrance included